6. The policy environment
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The publication of this technology strategy for the Creative Industries is happening against a background of several significant and far reaching Government initiatives around the creative and digital economy in the UK.
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The Technology Strategy Board’s research, analysis and industry consultation has taken place in the context of a high level of governmental and other public consultation in the Creative Industries. In November 2005, the Government launched the Creative Economy Programme, recognising the value of the Creative Industries to the UK economy. The Staying Ahead Report (2007) [12] provided a roadmap for many aspects of the Creative Industries. It is the first analysis in recent times to comprehensively identify and clarify the strategic value and economic strength of the UK’s creative sector, including its unique influence on the world stage.
Staying Ahead also shows the important linkage to the broader knowledge economy and to the social and economic well-being of the country as a whole. Lord Hutton’s key premise throughout has been that “Cultural Industries’ – film, television, publishing, music, the performing arts and video games – construct their business models principally upon commercialising acts of origination of expressive value.” While that is undoubtedly still the case, the rapid development of social media in the last five years and their increasing economic importance has added significant new paradigms to the model.
| 1997 |
Creative industries task force created to increase awareness of the economic importance of the Creative Industries |
| 2001-05 |
Digital Television Project – joint industry and Government on Digital Switchover |
| 2005 |
Creative Economy Programme established |
| 2007 |
Staying Ahead Report [12] |
| 2008 |
2008 Creative Britain: New Talents for the New Economy published - cross-government strategy for the Creative Industries [13] |
| 2009 |
Digital Britain Report [14] |
Lord Carter’s Digital Britain Report [14] highlights the critical importance of technology in the future of the Creative Industries. Closely associated is the UKIPO’s ‘stakeholder consultation’ on Copyright in the 21st century under the direction of Rights Minister, David Lammy.
As well as central government policy initiatives, Channel 4, NESTA and several RDAs and Devolved Administrations have programmes to support the development of innovative applications or businesses that take advantage of the opportunities of new technology and digital networks. Channel 4’s 4iP programme is intended “to kick start a wave of new investment in public service digital media for audiences around Britain to deliver publicly valuable content and services on digital media platforms.” [50]
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The Technology Strategy Board will invest in initiatives to both support and align with the strategic direction of Digital Britain, drawing on priorities within the Electronics, Photonics and Electrical Systems [15], ICT [6], Creative Industries, and the Network Security Innovation Platform[16] strategies, as well as other expertise from within and outside the organisation. In particular the Technology Strategy Board will be responsible for managing a series of test beds to explore cross cutting themes, for example monetisation methods for online content and alternative IP exploitation models.
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